Organization: Terrence O’Brien
Location: Global
Source: Terrence O’Brien
Two minutes and thirty seconds into the title track of Rachika Nayar’s Heaven Come Crashing , an absolutely massive drum and bass beat drops. As a fan of Nayar’s debut record Our Hands Against The Dusk , it caught me off guard. That album has no percussion on it at all. Heaven Come Crashing is almost entirely drum-free, too. There are some rapid-fire mechanical hi-hats on the second track, “Tetramorph,” and the back half of track six, “Gayatri,” has what sounds like a snare buried deep in the…
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